Harlem Jazz Series – Craig Harris Quartet

December 11, 2018 12:00pm – 2:00pm

When Craig Harris exploded onto the jazz scene in 1976, he brought the entire history of the jazz trombone with him. From the growling gutbucket intensity of early New Orleans music through the refined, articulate improvisation of the modern era set forth by J.J. Johnson, into the confrontational expressionism of the ‘60s avant-garde, Craig handled the total vernacular the way a skilled orator utilizes the spoken word. He has performed with a veritable Who’s Who of progressive jazz’s most important figures and his own projects display both a unique sense of concept and a total command of the sweeping expanse of musical expression. It is those two qualities that have dominated Craig’s forty years of activity, bringing him far beyond the confines of the jazz world into the sphere of multimedia and performance art as composer, performer, conceptualist, music curator, and artistic director. Craig, who comes from a tradition of art as a cultural facilitation to help promote change, has employed his musical voice to comment on social injustice with projects including God’s Trombones, based on James Weldon Johnson’s book of sermons.

Featuring: Adam Klipple – piano, Calvin Jones – bass, Tony Lewis – drums, Jay Rodriguez – reeds, and Craig Harris – trombone

First set: 12:00 pm-12:45 pm (15 min break); Second set: 1:00 pm-1:45 pm

Cost: $15

Location
Greater Calvary Baptist Church 
43-55 West 124th Street
New York NY 10027 US

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Harlem Jazz Series – Jason Marshall

May 10, 2019 7:00pm – 9:00pm

Jason Marshall is a highly sought after and established fixture on the global music landscape.  A rare specimen even among the highly competitive New York City music scene, the Washington D.C. born saxophonist can be seen playing soul music with Aretha Franklin, Latin jazz with Arturo O’Farrill, pop with Desi Di Lauro, avant garde jazz with the Charlie Mingus Big Band, and rock music with the Young Presidents.  In addition, the graduate of the New School and Aaron Copeland School of Music can also be found performing weekly with the iconic NYC hip hop band, Nickle & Dime Ops, and with his own, The Jason Marshall Organ Trio in Harlem. Also a highly sought after composer and arranger, Mr. Marshall wrote and arranged the modern day classic “Miss Garvey, Miss Garvey!!” which was nominated for a Grammy in 2009.  He has also written and arranged music for the Taipei Jazz Orchestra and the New Orleans Jazz Orchestra.   His work for large ensemble can be heard most regularly performed by his critically acclaimed orchestra, the Jason Marshall Big Band.  The jazz orchestra will release its debut album Order of Magnitude this fall.

Jason Marshall – sax

1st set: 7:00 pm -7:45 pm (15-min break) 2nd set: 8:00 pm – 8:45 pm

House doors open at 6:30 pm

Price: $20

Email: info@welcometoharlem.com

More Info:

Location
Greater Calvary Baptist Church
43-55 West 124th Street btwn Malcolm X Blvd and Fifth Ave
New York NY 10027 US

Harlem Jazz Series – Michael King Trio

May 7, 2019 12:00pm – 2:00pm

Virtuosic pianist and Chicagoan native, Michael King began playing drums in his local church band at the early age of 4. This fortuitously melodic schooling nurtured an undeniable affinity to the piano and organ, the very seat that he began to occupy, by ear, at age 14. Mr. King is an alumni of Lincoln Park High School and the prestigious Oberlin Conservatory. He was selected to attend the Thelonious Monk Institute and The Ravinia Jazz Scholars program on merit scholarships. Michael has performed with Bobby Watson, Kevin Eubanks, Dave Liebeman, Gary Bartz, Billy Hart, Joel Frahm, Rufus Reid, & Antonio Hart, among others. Currently you can catch Mr. King touring internationally with incredible talents such as Dee Dee Bridgewater, Robin Eubanks, Marquis Hill, Theo Croker, Soul Understated, Melissa Aldana, & Marcus Printup.

Michael King Trio: Michael King – piano

1st set: 12pm – 12:45pm (15 min break)
2nd Set: 1pm – 1:45pm

House doors open at 11:30 am

Price: $15

Email: info@welcometoharlem.com

More Info:

Location
Greater Calvary Baptist Church
43-55 West 124th Street btwn Malcolm X Blvd and Fifth Ave
New York NY 10027 US

Harlem Jazz Series – T. K. Blue

May 3, 2019 7:00pm – 9:00pm

T.K. Blue began his life in music by playing trumpet from ages 8 to 10, then switching to drums for a year. After a hiatus, at age 17 he dedicated himself to music by learning flute. While attending New York University Blue threw himself headlong into music, concentrating on the saxophone. After performing and traveling extensively with Abdullah Ibrahim, T.K. moved to Paris where he recorded Egyptian Oasis, his first record as a leader, which sparked State Department tours to some 20 countries in Africa. Back in the USA since 1990, T.K. has worked constantly, in a wide range of styles and situations. Augmenting his long-term relationships as Musical Director with pianist Randy Weston and with the Spirit of Life Ensemble, for several years he was an adjunct professor at Suffolk Community College, and Montclair State University, as well as a full-time professor and director of jazz studies at Long Island University.

Featuring: T.K. Blue – saxophones

1st set: 7:00 pm -7:45 pm (15-min break) 2nd set: 8:00 pm – 8:45 pm

House doors open at 6:30 pm

Price: $20

Email: info@welcometoharlem.com

More Info:

Location
Greater Calvary Baptist Church
43-55 West 124th Street btwn Malcolm X Blvd and Fifth Ave
New York NY 10027 US

Harlem Jazz Series – Art Baron

June 25, 2019 12:00pm – 2:00pm

Arthur Baron is a trombonist, multi-instrumentalist and composer. His defining work was with Duke Ellington, where he toured and recorded from 1973 – 1974.  He has worked with a host of luminaries, including Stevie Wonder, James Taylor, BB King, and Cab Calloway.  In 2006 he was a member of Bruce Springsteen’s Seeger Sessions Band, touring Europe and the US.  There he performed on trombone, sousaphone, penny whistles & mandolin. He has received several commissions, including Jazz at Lincoln Center.  Art has been deeply involved with education, conducting workshop/clinics and guest appearances with a variety of age groups from pre-school to colleges and universities. In addition, Art was featured nightly as a soloist in the Broadway hit, AFTER MIDNIGHT, bringing his Ellington expertise to the production. Currently, he leads The Duke’s Men, an ensemble of Ellington alumni, and is a mainstay at The Bowery Poetry Club in New York City, with his group Art Baron & Friends. Today, Art’s 

Musicians – Art Baron – trombone

House doors open 11:30am

1st set 12 – 12:45pm; 2nd set 1 – 1:45pm 

Email: info@welcometoharlem.com

Phone: 212-662-7779

More Info:

Location
Greater Calvary Baptist Church
43-55 West 124th Street btwn Malcolm X Blvd and Fifth Ave
New York NY 10027 US

Stretch Music & Jazz Then and Now: Steve Turre Quintet

April 11, 2019 7:30pm – 11:00pm

Jazz Then and Now is a conversation series, presented as part of the Stretch Music Residency that brings together innovative thought leaders in the field in dialogue on the history, the present and the future of jazz. Christian Scott aTunde Adjuah will be in conversation with composer and trombonist Steve Turre on improvisation, technology, collaboration, the importance of the historical lineage and more. The conversation will be preceded by a live performance with the Steve Turre Quintet.

Tickets: $15

More Info: 

Location
Harlem Stage Gatehouse
150 Convent Avenue at West 135th Street
New York NY 10031 US

Stretch Music Festival

April 12, 2019 7:30pm – 11:00pm

This work was supported by a building Demand for the Arts implementation grant from the Doris Duke Charitable Foundation

Grammy nominated Christian Scott aTunde Adjuah curates and performs his final Stretch Music Festival under his three year residency with Harlem Stage.

[Decolonializing Sound] The 3rd year of the Stretch Music Residency is focused on liberating sound from antiquated belief systems that inhibit our ability to truly hear one another. I have always felt the best way to communicate is to truly listen. So this year we’re intent on breaking down value distinctions surrounding how we hear and interpret composition, dispelling long held and completely false notions that cultures that prioritize melody & harmony are more valid then cultures that prioritize rhythm. Ending this notion is essential to truly hearing one another.

I feel strongly that the path we are embarking on will not only impact the artistic community by pushing the boundaries of what’s possible, but also the general community by working fervently to create a broader scope of what this art has to offer by improving access and engagement through inclusion, sonically and literally.

Christian Scott aTunde Adjuah

Tickets: $25 Adult, $35 VIP

More Info:

Location
Harlem Stage Gatehouse
150 Convent Avenue at West 135th Street
New York NY 10031 US